白云深处
白云深处
Rejane,Fari..
巴西
2022
彭于晏,王彦霖,辛芷蕾..
中国大陆,中国香港
2020
威尔·保尔特,杰米·布..
英国
2016
劳拉·普沃,康勒斯·希..
英国
2015
马修·麦康纳,斯基特·..
美国
1998
威尔弗里德·布兰贝尔,..
英国
1983
达维德·杜什,Marj..
法国
1997
朱一龙,吴晓丹,王艺曈..
大陆
2009
谢苗,刘冠麟,依莎,鞭..
大陆
2022
张家辉,彭于晏,李馨巧..
香港
2013
正片
主演:刘柠昊,,曲晨瑞,周波
地区/年代:中国大陆/2025
白云深处
白云深处
HD
主演:小村,蒋恺,李保民,何文辉,孙霆,王夏
地区/年代:中国大陆/2016
谁动了我的大瓶
谁动了我的大瓶
正片
主演:凯文·科斯特纳,茜茜·斯派塞克,汤米·李·琼斯,乔·佩西,加里·奥德曼,凯文·贝肯,杰克·莱蒙,唐纳德·萨瑟兰
地区/年代:美国,法国/1991
刺杀肯尼迪
刺杀肯尼迪
正片
主演:李世荣,秋相美,金润雅,崔武成
地区/年代:韩国/2007
秀雅十三岁
秀雅十三岁
HD中字
主演:尼古拉斯·凯奇,亚历克斯·沃尔夫,Cassandra,Violet,Julia,Bray,以利亚·昂格瓦里,Beth,Harper,Brian,Sutherland,大卫·肖内西,格蕾琴·科比特,Sean,G.,Tarjoto,达里乌斯·皮尔斯,Kevin,Michael,Moore,Tom,Walton,Davis,King,Nina,Belforte,戴维·奈尔,亚当·阿金,达娜·米利肯,达莱
地区/年代:英国/2021
猪
猪
HD中字
主演:吉约姆·卡内,玛丽昂·歌迪亚,蒂博·费尔哈格,约瑟芬·勒巴-乔利,艾曼妞·格伦沃尔德,杰拉德·沃特金斯,吉尔·勒卢什,朱莉娅·福雷,Laëtizia,Venezia,Tarnowska,艾乐蒂·纳瓦,纳塔莉·纳捷,Robert,Willar,Frédéric,Geerts,Manuela,Sanchez,Philippe,Drecq
地区/年代:法国/2003
两小无猜2003
两小无猜2003
正片
主演:马歌,李岱昆,陆妍淇,毛毅,周奕彤,王超
地区/年代:中国大陆/2018
正好的我们
正好的我们
正片
主演:王珞嘉,夏茉,黎真安,王寒阳,李觅尔,张亚奇,周卓,昆仑
地区/年代:大陆/2021
武动乾坤:九重符塔
武动乾坤:九重符塔
正片
主演:张静初,林熙越,陈炜
地区/年代:其它/0
情义两重天2000
情义两重天2000
HD
主演:孔刘,全度妍,李美素,朴炳垠,朴敏智,尹世雅,维拉·W·维洛,马尔科·维尔斯克曼,卡蒂·奥廷宁
地区/年代:韩国/2016
男与女
男与女
Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda’s signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda’s recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing.
The surreal aura of Minotaur seeps beyond the confines of the trio’s apartment into a strange "night without distance" in Lois Patiño’s hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.